Ezine
		              Melaka
		              If Malaysia  is a melting pot, then Melaka or Mallaca is its cultural crucible, where six  hundred years of warfare and ethnic intermarriage have formed the core of what  has evolved into the modern nation. Haunted by the ghosts of battles past, this  spectral city is well worth a visit, even for visitors who normally bypass  cultural destinations, if only to sample the several unique local cuisines and  to wonder at the barbarity of so many of the rulers. Unsurprisingly the  Melakanese remember best the depredations of their most  recent scourges, the Japanese, who publicly displayed the decapitated heads of  their victims on the Jalan Bunga Raya bridge, in order to force others  residents to toe the line.  
		              More  affectionately remembered are the Portuguese, mainly due to their avant-garde  and enlightened attitude to race relations, which contrasted sharply with the  prejudice of later rulers - banning all forms of discrimination and  segregation, the Portuguese encouraged intermarriage and even shipped brides in  to wed local men.  
		                   
		                  A  good vantage-point from which to see Melaka is from the back of one of its  gaudy yet attractive trishaws, which are often named after English football  stars, making it not unusual to be taking a ride in a ‘Michael Owen’ or a  ‘David Bechkam’. The trishaw drivers double as guides and will do their best to  describe each of the city’s attractions, but are sometimes hampered by a lack  of mastery of the English language – particularly the ones driving ‘David  Beckhams’.  
		                
		              History 
		               
  Whilst  one legend has is that the ex-pirate Prince Parameswara, the founder of Melaka,  was a descendant of Alexander the Great, it is more likely that he was a Hindu  political refugee from Sumatra. One day,  whilst resting under a Mallaca (Indian gooseberry) tree and watching one of his  hunting dogs trying to bring down a mouse deer, it occurred to him that the  deer shared a similar plight to his own, almost alone, exiled in a foreign land  and surrounded by enemies. The mouse deer achieved the improbable and fought  off the dog. Parameswara decided that the place where he was sitting  was a propitious one for the disadvantaged to  triumph, so decided to build a house and live there.  
		              Malacca  did indeed turn out to be a favourable place to found a town, due to its  sheltered harbour, its water supplies and its prime location relative to the  regional trade and monsoon wind patterns. In 1405 an ambassador of the Chinese  Ming Empire, the eunuch admiral Cheng Ho (or Zheng He), sailed into harbour  with a huge armada of giant trading ships. Ho, who it is likely later sailed on  to discover America 71 years before Columbus,   started a mutually beneficial trade partnership, which eventually  culminated in Malacca agreeing to become a client kingdom of the Chinese, in  exchange for protection against the Siamese. After its adoption of Islam in the  15th century and conversion into a sultanate, the town started to attract  traders from the Middle East, to swell the ranks of those already arriving from  every seafaring nation in Asia. 
		               
  Soon  after, the covetous eyes of the emerging European naval powers fell on the  wealthy little nation. The Portuguese, who arrived in 1509, were at first  welcomed as trading partners, but then expelled when their designs on the  country became apparent. Miffed at being rebuffed, the Portuguese returned two  years later, seized the city and then attempted to turn it into an impregnable  fortress, bristling with seventy cannon and equipped with all the latest anti-siege  war technologies. These, however, proved insufficient to keep out the Dutch,  who starved the city into submission in 1641 after a six month siege, during  which the residents were reduced to eating cats, then rats, and then finally  each other.   
		               
  When  Holland was over-run by the French in the  Napoleonic wars the Dutch Prince of Orange  ordered all of his overseas possessions to surrender to the British. After the  wars ended the British handed Melaka back to the Dutch, then shortly afterwards  managed to regain the city by swapping one of their Sumatran colonies for it.  Apart from a brief tenure by the Japanese during WW2, the city stayed in  British hands until Malaysia  declared independence, here in Melaka, in 1957.   
		               
  All  these disparate traders and invaders intermarried, resulting in the ethnic and  cultural diversity which now make Melaka, a UNESCO World Heritage site, such a  fascinating place to visit and also, for the non-culturally-curious partners of  the many culture vultures who flock to the city, also a delicious one in which  to eat. You  get a sense of a quainter age as you meander round the old streets, an age  where gentlemen wore white suits and pith helmets and briskly swung rattan  walking sticks as they walked to their clubs for a snifter of gin. The rattan  canes often swung a little less steadily on the way home, their owners having  enjoyed a measure or two more than sobriety allowed – these were, however,  easily justified as being essential for the health, due to the gin’s supposedly  prophylactic properties. 
		                
		              Melaka  Attractions 
		                
		              Porta de Santiago 
		              Porta de Santiago is  the sole surviving gateway into the huge fortress built in 1511 by the  Portuguese, using slave labour and desecrated mosques and  tombs, when they captured Malacca. Their lack of architectural scruples was  matched by that of the British, who blew most of the fortress to bits during  the Napoleonic wars – they had been loaned the fortress by the Dutch and, as it  turned out erroneously, thought that they were going to have to give it back.  It was only the intervention of Sir Stamford Raffles, then a young Penang civil servant on sick leave in Melaka, which saved  the Porta de Santiago from destruction.  
		                
		              Hang Tuah Mausoleum 
		              The title ‘Hang’, meaning ‘great warrior’, was one which  the Sultan of Malacca bestowed on only his most ruthless and fearsome fighters.  According to a well-worn legend, a love-struck warrior by the name of Hang  Kasturi scaled one of the harem walls and seduced one of the Sultan's  concubines, while the potentate was sleeping in the next room. After putting  his concubine to death by ordering one of his elephants to kneel on her, the  Sultan sent Hang Kasturi’s childhood friend, Hang Tuah, to kill him.  
		              After a long and vicious exchange of blows, Kasturi dodged  one of Tuah’s thrusts and Tuah’s sword hit a wall, in which it became embedded.  While Tuah frantically struggled to free his sword, Kasturi swung his sword as  if to cleave Tuah in two, but at the last moment deflected his swing, sparing  his childhood friend and comrade-in-arms. If he did this because he loved his  friend more than life, then his affection was misguided, for when his own sword  got stuck in a wooden column shortly afterwards, Tuah didn’t return the favour,  instead decapitating Kasturi and then presenting his head to the Sultan, who  had it stuck on a spear and placed outside the city gates.  
		              The Hang Kasturi legend has various versions in which  either Hang Kasturi, or Hang Tuah, or both Hang Kasturi and Hang Tuah slept  with one or more of the Sultan’s concubines. Whether the harem was indeed a  hotbed of secret liaisons is impossible to determine - maybe the sultan was  indeed a multiple cuckold, but the truth is now obscured by the mists of time  and the millions of times the story has been verbally passed on. 
		                
		              Portuguese and Chinese Quarters, and Dutch Sqaure 
		              A  scenic walk through the oldest parts of the city starts at the flower-filled  gardens and patios of the villas in the Portuguese quarter, and then continues  past the buffalo-horn roofs of the ostentatious trophy houses in the Chinese  quarter. It concludes with a meander round the beautiful civic architecture of  historic Dutch Square,  dominated by the fine masonry of the Stadhuys. Asia’s oldest Dutch building,  this sturdy yet finely-wrought structure started life as the Governor’s  Residence and is now the Melaka   Historical Museum.  The Christ Church, across the square, echoes the  splendour of the Stadhuys and has a particularly interesting roof structure –  when you look up from the inside you can see that not a single screw or nail  was used in the enormous timber structure, a seemingly impossible feat which is  surely a testament to the Dutch carpenters’ devotion and piety.  
		              The  Dutch rulers of Melaka consecrated the church before the pulpit was finished,  leading the then pastor to find a novel way of ensuring that the back rows of  his congregation were paying attention. He had the carpenters attach ropes and  pullies to a chair and then, when it was time for his sermon, he would order  his sextons to winch him up into the air. The arrangement was perfectly  practical, except that the pastor found it difficult to terrorise his  congregation sufficiently witless, with his tales of hell and damnation, while  suspended in such a bizarre contraption. A few years before the British left  they painted all the buildings on Dutch    Square a most unsympathetic salmon pink, for the  sake of conservation if not aesthetics. In an only partially successful attempt  to remedy the ghastly result, the colour was later deepened to its current  rust-red tone.  
		                
		              Cheng Hoon   Teng Temple  
		              The Cheng Hoon Teng Temple (or ‘Temple of Clear Clouds’) at  Jalan Tokong, Malacca, is the most venerable and maybe the grandest Chinese  temple in Malaysia.  Founded some time in the 17th century, the building was somewhat incongruously  used by the Dutch-nominated leaders of the Chinese community as their court of  justice, with people sometimes sent to their deaths for trivial crimes, as was  the practice at that time. After the recent renovation of the exquisite gold  calligraphy (in the cao-shu, or grass, style) on the columns outside the main  hall, they form a glittering invitation beckoning the visitor inwards to the  slightly garish but impressively fashioned central altar, which is dedicated,  maybe appropriately in such a war-torn place, to the Goddess of Mercy. 
		                
		              Poh San Teng Remple and Perigi Rajah Well 
		              The Poh San Teng temple was  built in 1795 near the vast Bukit China graveyard, so that the  Chinese community’s prayers for their dead would not be blown away by strong  winds or sent back to earth by rainfall. Inside the temple is  the oldest well in the country, the fabled and deadly Perigi Rajah well. After  Malacca was conquered by the Portuguese, Malacca’s Sultan fled to Johore. From  here he dispatched undercover agents to poison the well, killing 200 Portuguese  reinforcements who had only a few days before stepped off a boat from home. The  Portuguese didn’t learn from this disaster and were again killed off in numbers  by well-poisonings in 1606 and 1628 carried out by the Dutch and Acheenese. The  Dutch were more prudent and, after they took over, they erected a fortified  wall around the well.  
		                
		              St Paul’s Church 
		              A  Portuguese trader called Duarte Coelho was on his way home from Mallaca in 1516  when his ship ran into a violent storm. Chained to the mainmast to avoid being  washed overboard, he cowered in terror as ferocious winds snapped the vessel’s  rigging, sending sails streaming and spars crashing to the deck. He desperately  struggled to hold onto life as huge waves continually engulfed him and his head  was battered against the mast. All the while he prayed for salvation. He  promised that, if God spared Him, he would build Him a chapel and give up the  traditional seaman’s vices, brothels and booze.  
		              Duarte and his ship survived  the storm with the loss of most of his crew but, more importantly for  posterity’s sake, none of his cargo of spices. After he had sold his nutmeg,  mace and cloves back in Lisbon,  he had made a not inconsiderable fortune. Whether he kept his promise to better  his conduct is not known, but we do know that he kept his pledge to build a  church, for he returned to Mallaca and, in 1520, built a small chapel called  the Madre Deus (mother of God) on what is now known as St Paul’s Hill.  
		              When in 1548 the archbishop of Goa  gave the chapel to the Society of Jesus, a missionary called Francis  Xavier accepted the title deeds on the Society’s behalf. When  Francis died in China five  years later his remains were returned to Malacca and temporarily interred  there, before being exhumed prior to being sent back to Goa.  The exhumers were expecting a gruesome task but were stunned to discover that  the corpse had hardly corrupted at all, despite nine months in the ground.  Francis was declared a saint. Saints were at that time chopped up into pieces  in order to distribute relics around the Christian world and, in order to  obtain a relic, Francis’ right arm was cut off. Miraculously, when the surgery  was performed and the saint’s arm was severed, the wound bled. Almost equally  as miraculously, the 20th century statue of the saint that stands  outside the church is also missing its right arm - the day after the statue’s  erection, a tree fell on it and broke off the arm.   
  After the Dutch took over they renamed the chapel St  Paul’s Church and worshipped there for over a century, until they had finished  building Christ Church at the bottom of the hill, after which they abandoned St  Paul’s. After stints as a lighthouse and as a gunpowder store-room St Paul’s fell into decay  and has never, sadly, been restored. 
		                
		              Dutch Graveyard 
		              In a case of six-feet-under gate-crashing, in 1818  the British started to bury their dead in the Dutch  Graveyard, which now contains far more British than Dutch tombs. It has no  particular aesthetical appeal and is interesting only as a witness to the very  young average age at which the occupants succumbed to the town’s many wars,  crimes, diseases and epidemics.  
		              
		                
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